Long time EWG member and nature photographer extraordinaire Nigel Bewley has put together two photography tutorials for us! This one is about Wildlife in its Environment and the previous one is Birds in Flight . Thanks Nigel!
Take a step back
It’s lovely and impressive to fill the frame with your subject and make a photograph that is a close-up portrait full of detail but without much of the environment – the place where your subject lives. Just by showing a little of the environment puts the photograph into context. Two goldfinches on a feeder? We know straight away that it was likely to have been taken in a garden with the inference that goldfinches are garden birds.
Set The Scene
If you have wildlife in your garden, set yourself up with your camera, make yourself comfortable and be prepared for a wait. It could be that your subject has become used to you or is so busy that it doesn’t care about your presence.
Try using a piece of material to cover yourself as a disguise. It is always a good idea to keep quiet, move slowly and don’t wear perfume or aftershave. Foxes, amphibians in the pond, birds flying into nest boxes or even rats make great subjects that are right on your doorstep.
Use Props And Build A Set
For this photograph of a coal tit I set up a wooden carry-box and various garden tools and scattered some peanuts. Wait for the right light – you will know when the sun makes its way around the garden and is behind you. Some wildlife photographers can be a bit sniffy about this technique and don’t consider it “proper”.
Many, many successful, published wildlife photographs use props and bait. A fox investigating a tipped-over dustbin? A kingfisher perched on a sign that reads “No Fishing”? A squirrel looking through a camera’s viewfinder? All artifice, guile and imagination.
Go Wide In The Wild
Composition often plays a key role in environmental photographs. Get away from placing your subject in the middle of the frame. A successful environmental photograph may simply be a landscape shot where the subject plays an important role in acting as a focal point.
By including some of this red deer stag’s habitat the image tells more of a story about the animal’s relationship with the environment. We can immediately see two things: it’s a stag and it’s in the mountains.
You don’t have to go to the Cairngorms for this kind of photograph. A nearby green space will works just as well. There’s plenty of wildlife around – like this muntjac. Go and look for it. It will be there.
Wildlife exists alongside us and we exist alongside wildlife. Our lives should be in balance with nature. It never ceases to amaze me how wildlife can be part of our lives – it’s all around us and it’s quite valid to document that with people or buildings etc. as part of the photograph. Wildlife, people and buildings. It often works very well.
Tell a story
Consider a series of photographs of the same subject taken over a period of time to tell a story. It could be of a particular tree seen over the year from bare branches to full leaf, a family of foxes and their cubs or the adoption of a nest box – not necessarily by birds – with their comings and goings.
Use your imagination. Use your love for wildlife.
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